Listing 1 - 10 of 45 | << page >> |
Sort by
|
Choose an application
Choose an application
American literature --- African American authors. --- English literature --- African American authors --- History and criticism.
Choose an application
"Frederick Luis Aldama and graphic artists from Mapache Studios give shape to ugly truths in the most honest way, creating new perceptions, thoughts, and feelings about life in the borderlands of the Américas. Each bilingual prose-art fictional snapshot in this collection offers an unsentimentally complex glimpse into the lives of those pushed into shadowed corners of society today"--Provided by publisher.
American fiction --- Hispanic American fiction (English) --- Hispanic American authors
Choose an application
This book examines the relationship between space, bilingualism, and writing, and female characters’ identity formation in the late literary productions of Iranian women in the Diaspora, such as ›To See and See Again‹ by Tara Bahrampour, ›Funny in Farsi‹ by Firoozeh Dumas, ›Lipstick Jihad‹ by Azadeh Moaveni, and ›Saffron Sky‹ by Gelareh Asayesh, hereby using post-colonial and postmodern theories of bilingualism, space, autobiography and gender. Some years before and after the Islamic revolution in Iran in 1979, a huge number of Iranians migrated to western countries due to social and political problems. There is a significant body of literary and autobiographical works by Iranian writers in the Diaspora during the last 50 years. In the last two decades, more literary and autobiographical works have been concerned with the private aspect of the lives of the characters in the Diaspora and the (trans)formation of their identity and the linguistic and cultural hybridity. This hybridity and the identity issues become more significant in the works of women writers, as they are doubly marginalised as immigrants in the host land and second sex within patriarchy. There have been only a few critical works on the recent literary and autobiographical works of Iranian female writers in the Diaspora.
American literature --- Iranian American authors --- History and criticism.
Choose an application
"In this new collection, Douglas Barbour experiments with what he calls "rhythmically intense open form." Listen. If presents technically innovative poetry that invites the reader to join in some serious play. Barbour's vivid, ekphrastic poems engage an ongoing conversation among artworks-not only classic paintings but also popular music-while his lyric poems astutely, accessibly evoke places, moments, and feelings. This is poetry that takes up language both as the already-said and as a playground for brilliant technique. Leaping from love to landscapes, politics to jazz, Keats to Milne to Monk, these poems yearn to be spoken aloud for the pure joy of sound."--
Authors, American. --- American authors --- Barbour, Douglas, --- 1900-2099 --- Poetry / Canadian Literature.
Choose an application
Race in literature. --- Literature --- American literature --- Black authors. --- African American authors --- History and criticism.
Choose an application
African Americans --- Autobiography --- Biography --- History and criticism. --- African American authors --- History and criticism.
Choose an application
Reading Asian American and Latino literature, Bilingual Brokers traces the shift in attitudes toward bilingualism in postwar America from the focus on cultural assimilation to that of resource management. Interweaving the social significance of language as human capital and the literary significance of English as the language of cultural capital, Jeehyun Lim examines the dual meaning of bilingualism as liability and asset in relation to anxieties surrounding “new” immigration and globalization.Using the work of Younghill Kang, Carlos Bulosan, Américo Paredes, Maxine Hong Kingston, Richard Rodriguez, Chang-rae Lee, Julia Alvarez, and Ha Jin as examples, Lim reveals how bilingual personhood illustrates a regime of flexible inclusion where an economic calculus of one’s value crystallizes at the intersections of language and racial difference. By pointing to the nexus of race, capital, and language as the focal point of postwar negotiations of difference and inclusion, Bilingual Brokers probes the faultlines of postwar liberalism in conceptualizing and articulating who is and is not considered to be an American.
American literature --- Bilingualism --- Language and languages --- Languages in contact --- Multilingualism --- Hispanic American authors --- History and criticism. --- Asian American authors --- History --- Asian American literature. --- Latino literature. --- bilingual personhood. --- flexible inclusion. --- language difference. --- multiculturalism. --- postwar liberalism.
Choose an application
Choose an application
Divergent Trajectories: Interviews with Innovative Fiction Writers by Flore Chevaillier examines the aesthetic, political, philosophical, and cultural dimensions of contemporary fiction through a series of interviews with some of today's most cutting-edge fiction writers. New relationships between literature, media culture, and hypertexts have added to modes of experimentation and reshaped the boundaries between literary and pop culture media; visual arts and literature; critical theory and fiction writing; and print and digital texts. This collection of interviews undertakes such experimentations through an intimate glance, allowing readers to learn about each writer's journey, as well as their aesthetic, political, and personal choices. Including interviews with R. M. Berry, Debra Di Blasi, Percival Everett, Thalia Field, Renee Gladman, Bhanu Kapil, Lance Olsen, Michael Martone, Carole Maso, Joseph McElroy, Christina Milletti, Alan Singer, and Steve Tomasula, Divergent Trajectories provides a framework that allows innovative authors to discuss in some depth their works, backgrounds, formal research, thematic preferences, genre treatment, aesthetic philosophies, dominant linguistic expressions, cultural trends, and the literary canon. Through an examination of these concepts, writers ask what "traditional" and "innovative" writing is, and most of all, what fiction is today.
Listing 1 - 10 of 45 | << page >> |
Sort by
|